I see my art practice as an investigative tool, as a way to engage in dialogue, a platform for thinking and a means to develop knowledge. My work has evolved from figurative and symbolic explorations in painting to a variety of modes that include drawing, video, performance, installation and public intervention projects. Therefore, the emphasis of my work does not lie in the medium, but in creating a space to explore social contexts and collective narratives. History, film, soap-operas, fairy-tales and mythology all inform my work in that they are both narrative modes that I use as well as sites of investigation. I look for the narratives inscribed in various objects and places and find ways to add to them and at times subvert them. Because I live in the Virgin Islands, a place that has changed colonial hands seven times, the longest being Denmark and the last being the United States, I am particularly interested in the colonial and neocolonial narrative and how it shapes identity, memory and reality. (return to website)
Monday, March 30, 2009
Estado de Excepción, or State of Exception, is a series of nine collective exhibitions by the participating artists of the program Catedra de Arte de Conducta. This program was founded by artist Tania Bruguera in 2003 with the purpose of creating an alternative training space to investigate the limits of art and its relationship between life.
I participated on Monday, March 30 during the exhibition entitled “Advance Party”. The general theme for this show were works that engaged with the realm of children as a way to dialogue about collective memory, historical conditions and ideology.
My piece was a performance in which I dress my 11 month old daughter in the pioneer uniform and let her navigate the gallery space doing her usually activities: crawling, playing, etc... Entitled “Standard Issue” , the piece explores how the individual expresses oneself within a one-size-fits-all ideology.