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Showing posts from January, 2017

Press: Performance Art Series in St. Croix, Take 5, Calls For Love and Rebellion

An excerpt of Kurt Mc Vey's piece for Whitehot Magazine of Contemporary Art:



"Day three involved a tour through a small vernacular cottage in Free Gut, a part of Christiansted where free Africans lived during Dutch colonial times. The space is owned by Tobago-born artist La Vaughn Belle and will be featured in her forthcoming documentary, The House that Freedom Built. The small cottage, a work of art as much as a work in progress, was serving as a quaint studio for Belle. The small abode stood in stark contrast to the previous evening’s Mango Hill Greathouse. There was no concerted follow up discussion regarding the polarized nature of the two locations or how the island remains economically polarized, while serving as a clear microcosm for wealth disparity in America; perhaps because it’s only appropriate to deconstruct the nature of white privilege when you’re not directly enjoying the fruits of it.

Since 2011, Belle has been uncovering the complex and tumultuou…

GROUP EXHIBITION: Unravellings, Udstillingsstedet Meter, Copenhagen, DK

Unravelings

Opening of the next stage of the exhibition with artworks by the artists: La Vaughn Belle, Javier Tapia, Trine Mee Sook Gleerup, Nanna Debois Buhl and Julie Edel Hardenberg
Friday January 20th at 5-8pm Exhibition period: January 5th – May 14th 2017

On Friday January 20th Donald Trump will be inaugurated as the 45th President of the United States. In that context it seems appropriate that we invite you to the opening of the second stage of our exhibition Unravelings, in which we will focus on the centenary of Denmark’s sale of the Virgin Islands to the US as well as on colonial structures. The election of Trump as President reminds us that freeing a people is not necessarily equivalent to corresponding privileges, and that decolonisation of land or a populace does not mean the end of old structures of power.


La Vaughn Belle, Learning To Be, 2016; Julie Edel Hardenberg, no title, 2017; Javier Tapia, Floating worlds, 2017

2017 is the centenary of Denmark’s sale of three Virgi…

2016 Highlights

 2016 HIGHLIGHTS  ____________________________________
                                   FEBRUARY/ MARCH        MAGAZINE COVER| St. Croix This Week





I was pretty excited to be featured in the February and March Issue of St. Croix This week with "The Planter's Chair" and "Chaney Series" paintings respectively. 


                                                                                           FEBRUARY GROUP EXHIBITION|Invisible Heritage: Identity, Memory and Our Towns   

Curated by Monica Marin this collaborative project and exhibition explored marginalized histories through vernacular traditions and the built environment at the Caribbean Museum Center for the Arts. My ongoing project, "The House That Freedom Built" along with my "Cuts and Burns" series was featured. 











                                                          FEBRUARY