I have been spending a lot of time working on my documentary, "The House That Freedom Built" and looking at these historical images of hucksters and market women. Some of the women who lived in my house were hucksters and were able to purchase their freedom with the money they made as an itinerant seller. Looking at these images made me think about the relationship between these women and their surroundings, their bodies as landscape, their relationship to the buildings. It made me think a little of Carrie Mae Weems "Roaming" series where she questions the edifice of power. I saw some similarities with my video work "Somebody's Been Sitting In My Chair, Somebody's Been Sleeping in My Bed" (2011) and a work that I have never shown "I Have a Dream" (2005). I haven't shown this work because I wasn't sure of the direction to go. I knew I was interested in inserting my body in these real estate magazine "dreamscapes", but after I did the first one, I wasn't sure if I should be washing clothes in the pool or lounging at the poolside. For where I am in my life right now this would be a really interesting series to revisit and complete.
I see my art practice as an investigative tool, as a way to engage in dialogue, a platform for thinking and a means to develop knowledge. My work has evolved from figurative and symbolic explorations in painting to a variety of modes that include drawing, video, performance, installation and public intervention projects. Therefore, the emphasis of my work does not lie in the medium, but in creating a space to explore social contexts and collective narratives. History, film, soap-operas, fairy-tales and mythology all inform my work in that they are both narrative modes that I use as well as sites of investigation. I look for the narratives inscribed in various objects and places and find ways to add to them and at times subvert them. Because I live in the Virgin Islands, a place that has changed colonial hands seven times, the longest being Denmark and the last being the United States, I am particularly interested in the colonial and neocolonial narrative and how it shapes identity, memory and reality. (return to website)