I was interviewed by one of my students, Denise S. Canton earlier this year for a photography class she was taking in Maryland, USA. If you have 30 minutes and want to more about my work and background check it out. I talk about earliest influences, my transition to becoming an artist and what's it's like to be an artist in the Caribbean. I also discuss some regrets and some challenges in sustaining a creative life.
I see my art practice as an investigative tool, as a way to engage in dialogue, a platform for thinking and a means to develop knowledge. My work has evolved from figurative and symbolic explorations in painting to a variety of modes that include drawing, video, performance, installation and public intervention projects. Therefore, the emphasis of my work does not lie in the medium, but in creating a space to explore social contexts and collective narratives. History, film, soap-operas, fairy-tales and mythology all inform my work in that they are both narrative modes that I use as well as sites of investigation. I look for the narratives inscribed in various objects and places and find ways to add to them and at times subvert them. Because I live in the Virgin Islands, a place that has changed colonial hands seven times, the longest being Denmark and the last being the United States, I am particularly interested in the colonial and neocolonial narrative and how it shapes identity, memory and reality. (return to website)